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Harrison Serif Pro is a slab serif font focused around display use. The family covers a wide range of weights from sheer hairline to ultra black to unlock extensive options for headlines and other large scale use. It includes true italics and a wealth of other extras, making it the perfect companion to a modern sans. |
$261.75 $349.00
Introductory Offer - 25% off until
September 30th
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A new font from Nicky Laatz, Just Lovely is the font’s name and its best description. Another dry brush script that has a fun, modern vibe. Put it on everything from invitations to makeup, and enjoy the extras included. The extras include several pre-made phrases. They are a quick addition to any design or can be an inspiration to make your own. |
$17.60 $22.00
Introductory Offer - 20% off until
July 26th
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While the list might be a little bit late, what Typographica lacks in punctuality it makes up for in quality. Stephen Coles’ curated list of Favorite Typefaces of 2016 highlights the good from last year, not necessarily the hot. Fontspring has more than a handful of fonts on the list, but our favorites include ones we don’t carry: Neue Kabel, Lubaline, and everything from David Jonathan Ross.
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Ulrik Hogrebe of Type Thursday interviewed one half of the creative duo behind the astoundingly successful reissue of the NYC Transit Authority and NASA design manuals. In this article Jesse Reed, founder of the imprint Standards Manual, shares from his experience in design and his experience running a Kickstarter.
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In this interview from Khoi Vinh, Dan Rhatigan from Adobe Type shares the vision behind variable fonts and theorizes about their future use. We’ve shared a few articles on variable fonts already, but we appreciate Dan’s measured reaction to this new tech and his patience in seeing it roll out to software applications. We’re excited to see how variable fonts continue to carve out their niche.
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Masthead set in Balboa & Tenez, body set in Questa Slab & Tenso |
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