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Roger Black and Doug Wilson have recently started up a print and digital magazine focusing on the people and stories behind the letters you love. Their stated goal is to appeal to all “who love fonts, typography, calligraphy, lettering, sign painting—letterforms of all kinds.” We’ll be keeping a close eye on the articles they publish and enjoying every single one.
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Well that was quite an ending to the Oscars. Benjamin Bannister argues here that the whole debacle could have been avoided if some different typographic descisions had been made...or perhaps if any typographic decisions had been made in the first place. Anyway, congratulations to Moonlight on winning Best Picture!
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In this short video from Vox, Phil Edwards follows the path that Futura, designed by Paul Renner in 1927, has taken from Nazi Germany to the moon. He sheds light on the unique challenges that Futura overcame to become the “type of the future” in the 1930s and a classic today.
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Masthead set in Balboa & Tenez, body set in Questa Slab & Tenso |
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